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Mediaguide tracks approximately 2500 radio stations in major "Hello, anybody in there? McFly!!!"ĪSCAP, founded in 1914 by publishers and songwriters, uses MediaGuide and RadioWaveįor monitoring. This willĪbsolutely kill most indie artists and labels as well as many terrestrial radio That terrestrial radio pay performance fees to artists and labels. "Fair Play Fair Pay" Act has been introduced to Congress mandating Ring a bell? And, to add insult to injury, the Music Deal Rewrites the Rules on Royalties " Out of 11,400 stations, six companies and 2111 stations are basically dictating royalty Now, keep in mind which stations are preferred when This consolidation allowsĬompanies to promote similar playlists and artists across the format-aligned You read this there may have been more mergers and acquisitions and these Palmīeach, Fl.), making a total of 251 stations in 54 markets (mostly small and RecentlyĪlpha Media (Portland, Oregon) has purchased 116 stations from Digity (W. New York, and over 130 belong to Entercom, based in Pennsylvania. Over 450 belong to Cumulus Media, based in Georgia. (formerly Clear Channel), based in Texas. Thus, today, we now have the "BIG 3", and yes, somewhere in that mixġ1,400 AM and FM commercial stations in the U.S., over 850 belong to iHeartMedia Publishers began consolidating and creating an even bigger threat to the indies. Train" for the major publishers and before long the major labels and major It foreverĬhanged the way data was gathered for the PROs, and soon became a "gravy Then,Īround 1990, along came BDS (the Billboard system for gathering data for airplay in major Royalties to copyright holders reported on a quarterly basis. Manually written and submitted, (major market stations more frequently than
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The actual radio data and statistics further down this page.Ĭentury, there was never a fair way of calculating license fees andĬollecting royalties and the system for reporting airplay, as we know it today, This is just more proof how the majors and the PROs haveĪlways been in "cahoots" to maintain the revenue flow to the major Anywhere from $2,000 up to to “$10,000įor favored playlists. Still specific prices for spins from playlists. Thus, Welcome to ‘playlist payola,’ the modern-day equivalent to old school Now, today's streaming services play a major role in label and publisher revenue. System is designed to benefit the major label spins from the major markets. Songwriters and publishers, especially in the Country Music genre. Technology, an unethical and unfair system will continue in place for the independent Until the logging methodology is updated to include the available This article we will focus on terrestrial airplay scenarios.
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Update their methodology and use today's technology. Means of revenue for legit songwriters and publishers, but only if the PROs Still alive and well in the streaming circles.)Īirplay and venue performances are still the among the most efficient and profitable When anyone can do this, soon all the music becomes monetarily worthless! Now that can'tīe a much clearer picture of where we are headed. (Of course, payola and Basically the music has been greatly cheapenedīecause even a moron can now create noise on their computer and upload it to
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Music (or free and/or cheap paid subscriptions), on streamingĪ track or 12.99 for an album, while the world's bandwagon is overloaded with more
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You wonder why CD and download sales are down? Consumers are listening to free Today's popular streaming services will earn approximately $45.00 (including On average, usingĬurrent stats from the PROs, the average single spin on terrestrial radio is worthĪbout 1.7 cents (when logged), or approximately $1,700.00 for 100,000 spins, while 100,000 streams on More, and while reading, please keep in mind that numbers are constantlyĬommercial radio broadcast almost 100 years ago, Terrestrial Radio has been, andĬontinues to be, the major medium to expose new music. Logging? Read on and perhaps you will learn a little ****************************************************************************************************************Īs an Independent songwriter or publisher, have you ever wondered why you don't get paid for airplay? As a small or medium market radio station, have you ever wondered why the license fees you pay to the PROs do not go to the creators of the music you play on your station? Have you ever wondered why the blanket license fees seem to favor the major players affiliated with the BIG 3?ĭo those license fees subsidize the major players via major market Of this research are found at the bottom of this page. Opinion based on research which is periodically updated Publishers: Where are your ROYALTIES going?
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